In my 2016 Reading Challenge (posted on January 4), I
suggested that readers read a contemporary novel inspired by a classic. Here are some suggestions of novels which take characters from
well-known fiction. Young Adult
fiction often uses plots and characters from classics and modernizes them, but
I’m focusing on books written primarily for adults.
Scarlett by
Alexandra Ripley, a sequel to Margaret Mitchell’s Gone with the Wind, has Scarlett traveling to Charleston to visit
estranged husband Rhett Butler's family, and then going to Savannah and
Ireland.
Cosette by
Francois Ceresa, a sequel to Victor Hugo’s Les
Misérables, follows Jean Valjean's adopted daughter Cosette and her
marriage to Marius, who is dissatisfied with life and proves to be a less than
model husband.
March by Geraldine
Brooks, a companion to Louisa May Alcott’s Little
Women, tells the story of the March family patriarch and his experiences
during the Civil War as his wife and four daughters wait at home.
60 Years Later: Coming
Through the Rye by John David California follows a man named "Mr.
C" - who seems to be J. D. Salinger's The
Catcher in the Rye protagonist Holden Caulfield - as he escapes from a
nursing home. (This book was the subject
of a court case when author Salinger sued the author. The American judge said
the book was too close to The Catcher in
the Rye, and currently it is banned from being sold in North America. The judge ruled that neither the author nor
anyone who publishes the book can mention The
Catcher in the Rye in connection to the book.)
The Innocents by
Francesca Segal re-imagines Edith Wharton’s The
Age of Innocence. Scandal-ridden
1870s New York is replaced by a tight-knit Jewish community in modern day London.
A Monster’s Notes
by Laurie Sheck imagines the relationship between Frankenstein’s monster and
Mary Shelley, author of Frankenstein,
if she had met him as a small child, intertwining the musings of the monster on
his own life with Shelley’s own fictionalized letters, and allowing him to
watch his own legacy up to the present.
The Hours by
Michael Cunningham is based not only on Mrs.
Dalloway by Virginia Woolf, but also the life of Virginia Woolf herself.
The novel follows three generations of women:
Woolf as she writes the book, struggling with mental illness; Mrs.
Brown, a WWII wife in 1949; and Clarissa Vaughan, a contemporary woman whose
best friend is dying from AIDS. All
three are affected by and also parallel Mrs. Dalloway herself.
Emma by Alexander
McCall Smith is a modification of Jane Austen's Emma, wherein a recent college grad spends the summer flexing her
advice and matchmaking skills to varying degrees of success.
Great by Sara
Benincasa is an all-female version of F. Scott Fitzgerald’s The Great Gatsby.
Brazil by John
Updike, a re-interpretation of Tristan
and Isolde, is set in Brazil. A boy
from a Rio slum falls in love with a white girl from a privileged family and
together they must flee into the far-reaching jungles in order to escape her
family's judgment.
Jane Eyre by
Charlotte Brontë has inspired spinoffs:
Wide Sargasso Sea
by Jean Rhys is a prequel which explains the madness of Mrs. Rochester.
Re: Jane by
Patricia Park imagines Jane Eyre as a half-Korean, half-American orphan living
in New York and working as an au pair for a Brooklyn professor.
Jane by April
Lindner has Jane Moore taking a nanny job at Thornfield Park, the estate of
Nico Rathburn, a world-famous rock star on the brink of a huge comeback.
The Flight of Gemma
Hardy by Margot Livesay transports Charlotte Brontë's heroine to Scotland
in the 1950s and ‘60s, resurrecting the themes of Jane Eyre, as well as adding autobiographical elements of the
author’s life.
Dorian by Will
Self modernizes Oscar Wilde’s The Picture
of Dorian Gray. Dorian Gray tries to
work as a model in the looks-obsessed art scene of London.
On Beauty by Zadie
Smith can be seen as a companion piece to E. M. Forster’s Howards End with the same basic plotline about a pair of families
with very different ideals that become irrevocably linked over the years.
Solsbury Hill by
Susan M. Wyler re-imagines Emily Brontë's Wuthering
Heights. An American woman is decamped
to the moors of England to settle an estate and is subsequently pulled between
two very different men.
Heathcliff by
Jeffrey Caine imagines what happened to Heathcliff when he disappeared from
Wuthering Heights.
Jane Austen’s Pride
and Prejudice has inspired numerous novels.
Here are four of them:
Longbourn by Jo
Baker has the servants taking centre-stage in this downstairs answer to the
classic.
Bridget Jones’s Diary
by Helen Fielding is a modern spin on the book.
Elizabeth Bennett is re-imagined as the hapless Bridget Jones who has
numerous trials and tribulations - and a Mr. Darcy.
Pemberley by Emma
Tennant is a sequel in which the original characters are brought back to life
and in which their pasts catch up with them.
Death Comes to
Pemberley by P. D. James has Elizabeth and Darcy solving a murder mystery.
Ahab’s Wife by Sena
Jetter Naslund is narrated by Una, the wife of the captain of the Pequod
mentioned in Herman Melville’s Moby Dick.
Lavinia by Ursula
K. LeGuin tells the story of Lavinia, Aeneas’ second wife in Virgil’s epic poem
The Aeneid.
Grendel by John Gardner has the first monster in
English literature, from the epic Beowulf,
tell his side of the story.
Eaters of the Dead
by Michael Crichton is a variation on the
Beowulf tale from the perspective of a contemporary reporter, an Arab man
who traveled with a group of Vikings.
Foe by J M Coetzee
reimagines Daniel DeFoe's classic novel Robinson
Crusoe.
Mary Reilly by
Valerie Martin is told from the perspective of the dutiful and intelligent
housemaid in Robert Louis Stevenson’s The
Strange Case of Dr. Jekyll and Mr. Hyde.
Gregory Maguire has written four novels based on The Wizard of Oz by L. Frank Baum beginning
with Wicked: The Life and Times of the Wicked Witch of the
West.
After Alice by
Gregory Maguire is a new twist on Alice’s
Adventures in Wonderland by Lewis Carroll.
Ada, a friend of Alice’s, is off to visit her friend, but arrives a
moment too late and tumbles down the rabbit-hole herself. She embarks on an odyssey to find Alice and
see her safely home.
Note: I have not included titles inspired by
Shakespeare since I discussed these in my entry of September 1, 2015 in which I
listed over 20 titles. (And for the
400th anniversary of William Shakespeare’s death, there is The Hogarth
Shakespeare initiative which will be publishing modern re-tellings of
Shakespeare’s plays - adaptations written by well-known contemporary authors ; I discussed these in my blog on October 10, 2015.)
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