Ranked a Top 25 Canadian Book Blog
Twitter: @DCYakabuski
Facebook: Doreen Yakabuski
Instagram: doreenyakabuski
Threads: doreenyakabuski
Substack: @doreenyakabuski
Bluesky: @dcyakabuski.bsky.social

Tuesday, November 26, 2019

Review of 10 MINUTES 38 SECONDS IN THIS STRANGE WORLD by Elif Shafak

3 Stars
The novel is set in 1990 in Istanbul.  Tequila Leila, a 43-year-old sex worker, is “inside a metal rubbish bin with rusty handles and flaking paint.”  Her heart has stopped beating and her brain is slowly shutting down.  In the ten minutes during which her brain continues to function, she flashes back to her early life in eastern Turkey.  Interspersed with these vignettes which explain how Leyla Akarsu came to be a prostitute are the back stories of the five friends who comprise Leila’s surrogate family.

The first part of the novel which outlines Leila’s life from birth to death is a great read.  We see a child/ young girl who has few options.  Her father becomes increasingly religious and he restricts the movements of his wives and his daughter; he expects the women in his household to be silent and docile.  After being sexually abused by a relative, her fate seems sealed, especially when she refuses to be the obedient daughter her family expects.  

Leila’s five friends are all social outcasts whose lives show the treatment received by the marginalized.  Among these friends are an illegal immigrant, a dwarf, and a transfemale.  All are drawn to Istanbul, but none are greeted with open arms.  The book does not paint a positive picture of humans:  “No one should try to philosophize on the nature of humanity until they had worked in a public toilet for a couple of weeks and seen the things that people did, simply because they could.” 

The second part of the book was a major letdown.  Leila’s five friends set out to make sure that she has a proper burial and is not left in the Cemetery of the Companionless.  This section, full of slapstick, descends into farce.  Their devotion to their friend is commendable but some of the behaviour is totally ridiculous.  This section left me wishing that the author had ended the book at the end of the first part with its perfect last sentence:  “They never failed to recognize a sad woman when they saw one.”

Shafak is known as an advocate for the rights of women, minorities, and LGBT people.  In this novel she also draws attention to sexual violence against women and children, hoping to draw attention to the problem and encourage the Turkish government to take action.  Unfortunately, the government is investigating writers who write about difficult subjects.  That fact alone means her book should be read. 

No comments:

Post a Comment