Twelve-year-old Edward Adler is the sole survivor of a plane crash in which 191 people die, including his parents and his brother Jordan. The book focuses on Edward’s struggles after the crash: he has to recover physically and cope with paralyzing grief, overwhelming guilt, and unwanted celebrity. He is taken in by an aunt and uncle who try to support him as best they can, but it is Edward’s friendship with Shay, the daughter of a neighbour, which becomes his anchor and helps him find meaning for his life.
Interspersed throughout are sections telling the story of the flight
from boarding to impact, including the background of some of the passengers and
crew on the ill-fated flight.
The book is an emotionally exhausting read. As expected, Edward’s grief is
staggering. He initially copes by
detaching from the world: “Edward feels
unmoored, like he might be anywhere in space, anywhere in time.” He cannot eat and has difficulty
sleeping. As the only survivor, he feels
“He had to carry the burden of so many lost lives.” He describes the grieving process as swimming
in pain and loss for years. Three years
after the crash, he feels like he “’should be over it’” but finds that he “’still
[thinks] about it all the time.’”
A book blurb describes the book as a “luminous, life-affirming novel”
but this is not accurate. How can a book
detailing the emotional and psychological effects of unimaginable tragedy be
anything but serious and dark? Edward
does learn that there can be life after loss but that life after great loss is
a life which includes always learning to live with that loss: “’What happened is . . . not going away. It’s part of you and will be part of you
every moment until you die. What you’ve
been working on . . . is learning to live with that.’” Discovering after many years that life can
still have value does not mean that the journey to that discovery, the journey
described in this book, is luminous or optimistic. There is no disguising the fact that the book
is a heavy, bleak read which offers signs of hope only near the end.
I was disappointed with Edward’s decisions concerning money at the
end. His choices are rather shallow,
almost self-serving. More growth on his
part would have been shown if he had been more imaginative in his selections,
options showing him directly addressing the needs of the loved ones of the
lost.
Some might argue that there is some relief from Edward’s constant
misery in the descriptions of the other passengers. The problem is that we know they are all
going to die and their plans and hopes and goals will never be attained, so
more sadness is added. There is a
further issue with some of these people.
Veronica, for example, is a cliché of a flight attendant whose
unprofessional behaviour is unrealistic.
She is the senior attendant but doesn’t know how to deal with a
situation that arises? Mark is a cliché of
a Wall Street player, and Linda’s discovery mid-flight is just plot
manipulation.
The relationship between Edward’s aunt and uncle needs more
attention. Though they try their best, Lacey
and John do not really know how to help Edward.
John is supposedly overly protective, but no real boundaries are
established for Edward’s behaviour? There
is repeated reference to marital difficulties but few specifics are given. John’s explanation that Lacey thought he was
too protective and obsessive does not seem sufficient. Then there’s an almost immediate “softening
between Lacey and John”?
This is anything but a light and easy read because it meticulously
details one boy’s struggles to recover emotionally and psychologically from
unbelievable trauma.
Note: I received a digital galley from the publisher via NetGalley.
Note: I received a digital galley from the publisher via NetGalley.
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