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Wednesday, August 5, 2020

Review of THE BEAUTY OF YOUR FACE by Sahar Mustafah (New Release)

4 Stars
Afaf Rahman, the daughter of Palestinian immigrants, is the principal of the Muslim Nurrideen School for Girls when a shooter attacks.  Interspersed with this plot are many flashbacks to Afaf’s growing up in the suburbs of Chicago.  Hers is not an easy childhood or adolescence; she is an outcast at school and finds little solace at home because her family is shattered after a tragic event.  Much of her life is spent trying to find her identity and acceptance.

The novel addresses the challenges of being a Muslim in the United States.  Though the family is not religious, they encounter discrimination regularly.  Afaf “tried hard her whole life to be like amarkan, only to be rejected and used.”  After 9/11, Muslims went “from towel-heads to terrorists” and Afaf is concerned about her safety and that of her family.  Of course the attack on the school emphasizes the dangers Muslims face. 

In many ways, the book is a journey of self-discovery.  Afaf is largely estranged from her family after a tragedy.  Her father finds solace in alcohol.  Her unhappy mother, who has never adapted to life in America and wants to return to Palestine, suffers from mental health problems and seems unable to connect with Afaf.  Because she is not accepted by her peers at school, she desperately longs for love and attention.  After a traumatic near-death accident, Baba finds comfort in Islam and he urges his children to go with him to the Islamic Community Center.  There Afaf finds acceptance. “a sense of community; the first time, really, she’d felt she truly belonged anywhere.”

Included in the novel are many details about Arab culture and the Islamic faith.  Arabic food is often mentioned; I wish there were an appendix with recipes for the various dishes that are mentioned but not explained, dishes like “mahshi koosa” and “maklooba” and “chicken musakhan” and “fatayir”.  I knew about the Hajj, the pilgrimage to Mecca to fulfill one of the sacred pillars of Islam, but I was unaware of the various rituals performed, other than walking around the Kaaba. 

At one point Afaf decides she will wear a hijab.  From a woman’s perspective, I found her decision an interesting one.  “Beneath the hijab, it’s still her.  And yet a great deal of Afaf is gone, hidden, never to be revealed again in public, and then only in the presence of women.  A pang of something tragically permanent goes through her gut.”  She realizes the hijab comes with a price:  “Is this concealment a high price to pay for her submission to God?  She’ll no longer feel the Illinois winter rushing through her hair, tingling her ears as she leaves the apartment.  Or the sun beating down on her head when she goes for walks with Baba along the waterfront, her scalp warm and moist with sweat.  Afaf will miss her hair, the way it completes her face.”  She is also aware of how Americans will think:  “And what of her hijab?  Do they imagine Afaf’s father or brother, swarthy and dangerous men, had forced it on her?  Behind her back do they whisper, Poor Afaf, another oppressed Arabian woman?"

There are two elements in the novel which left me unsatisfied.  One is Nada’s storyline.  Nada, Afaf’s older sister, deals with the family situation differently than Afaf, but her story is not sufficiently developed.  The other weak element is the perspective of the shooter.  He seems little more than a stock character:  a white man radicalized by online alt-right sites. 

This is a timely novel which offers an interesting perspective, a perspective that might give people pause to think. 

Note:  I received a digital galley from the publisher via NetGalley.

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