4 Stars
This is the eleventh installment in the Vera Stanhope series – another enjoyable visit with the pragmatic, no-nonsense detective.The body of Josh Woodburn is found on the grounds of Rosebank, a private home for troubled teens where he volunteered part-time. At the same time, 14-year-old Chloe Spence, one of the home’s residents, goes missing. Is she Josh’s killer, a witness, or just a runaway? Vera and her team, Joe Ashworth and new member Rosie Bell, come to investigate the death and to find Chloe. Their search takes them to the Northumberland countryside with which Chloe was familiar only to discover a second body. Tension rises as Vera fears Chloe may be in danger.
Vera is still the same Vera we have come to know and love but a softer, more vulnerable side is revealed. The tragedy at the end of the previous book, The Rising Tide, has left her grieving and feeling regret. Vera knows she made mistakes and remembers “clever quips and unthinking words of criticism” and resolves to be more collaborative and more open in communicating with team members. Though she tries to watch her words and to use a more inclusive approach, in the end she reverts to old behaviour and keeps her theory from Joe and Rosie until the end.
The case has Vera revisiting the Stanhope Arms, a pub frequented by her father Hector so we see Vera confronting her past. A conversation with the local doctor causes her to reconsider her father’s legacy. I also like that Vera has an opportunity to make a new friend, one whom Joe describes as “a social services version of Vera, though definitely better dressed.”
The addition of Rosie is also a nice touch. Intelligent, energetic, and ambitious, she wants to impress Vera but she is also not afraid to question Vera’s investigative methods. Her arrival changes the team’s dynamics: Joe finds himself working with two strong women and because he feels “a competitive streak and a tinge of jealousy,” he thinks he has to prove to Vera that he is “still her right-hand officer.”
I love the title. It refers to a trio of monumental stones in the Northumberland countryside. Local legend tells the story of three wives who talked too much and so were turned to stone as a punishment. The book is even dedicated to dark wives, “uppity young women with minds of their own.” There are more than a few candidates for the position of dark wife. The three teens who place friendship and loyalty above all else certainly fit the description, but so does the demanding and impatient Vera.
The complex plot certainly had me guessing until the end. I did take issue with the information dump at the end; like Joe and Rosie, the reader is left in the dark. There are lots of red herrings but perhaps a paucity of clues pointing to the right direction. Everything makes sense, though I did find the motivation of one character to be rather weak.
Besides being an entertaining police procedural, the book makes a statement about the need to reform privately owned care homes which are more concerned with profit than the needs of those in their care. Rosebank, a rather run-down and unappealing facility, is short-staffed and under-funded so the resources needed by its residents are unavailable. The author in an opening note acknowledges being inspired “by an investigative piece about private children’s homes on BBC Radio” and has Vera arguing that “’they’re a breeding ground of crime and antisocial behaviour. If we’re putting an emphasis on prevention, I wonder if we should be making a case for bringing them back into local authority control.’”
As with all the books in the series, I recommend a reader poke his/her neb into this one.
Note: I received an eARC from the publisher via NetGalley.
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