4 Stars
This is a gentle, comforting read.
During a museum visit, Daphne Fuller reconnects with her former stepfather, Eddie Triplett. They haven’t seen each other for 44 years since she was nine years old and the two of them were involved in a serious car accident. Their reunion has her looking back on her childhood and slowly coming to see people and events with new eyes.
The novel’s chapters focus on Daphne’s perspective but there are four interstitial sections which provide a third-person account of the accident in January of 1980.
The book will leave readers wishing they had Eddie as a stepfather. He is calm, capable, and charming. He is highly respected in his job and popular at social gatherings. He has a wonderful sense of humour. Eddie and Daphne have a strong bond because they both love reading and books and because of the traumatic experience they shared. It’s obvious that Eddie left an indelible mark on Daphne’s life.
One major theme is how children often misunderstand adult relationships. For instance, Daphne has always held herself responsible for the divorce between Eddie and her mother Abigail because they divorced immediately after the accident. Eddie, however, gives her information that makes her see what happened in an entirely different light. In the end, she reaches a conclusion: “I wondered what anyone ever knows about another person’s relationship. . . . I realized the answer was nothing.” And she comes to see how her mother was heroic in dire circumstances that Daphne does not think she herself could have survived.
There are other messages as well: the power of storytelling, how childhood never leaves us, and how even tragedies can have positive consequences. The latter is particularly clear: the illness of Daphne’s biological father brings the two of them together and brings the man who would become her husband into her life. Daphne has always thought of her and her sister Leda’s childhoods as difficult, especially because Abigail seemed largely indifferent to them, but Leda points out, “’We were loved, not passionately but enough, and we were largely ignored, which allowed for our healthy separation from the primary family. Necessity made us resourceful and brave. We were left to solve our own problems and so we did.’”
The picture of the horse on the cover and the book’s title suggest this is an equestrian-centric novel; in fact, I thought it might be like Horse by Geraldine Brooks. The reference is to a story told by Eddie to Daphne the night of the accident about a horse named Whistler who rescues his owner. In the end, the reader will probably think about how Daphne was Eddie’s Whistler in the past, but he is her Whistler in the present. Though in different ways, they do rescue each other.
I’ve liked Ann Patchett’s novels like The Dutch House (https://schatjesshelves.blogspot.com/2020/06/review-of-dutch-house-by-ann-patchett.html) and Tom Lake (https://schatjesshelves.blogspot.com/2023/11/review-of-tom-lake-by-ann-patchett.html). This one I also enjoyed.

No comments:
Post a Comment