The arrival of September always has me thinking of teachers returning to their classrooms. When I was still teaching, I taught Shakespeare in virtually all of my classes, and though I no longer teach, I have found myself reading a number of Shakespeare-inspired novels. It's amazing how much fiction has been written inspired directly by his life and his works. I guess the trend was started by Charles and
Mary Lamb with their Tales from Shakespeare.
Because so
little is known of Shakespeare’s life, there is ample room for
speculation. This has led to a number of
“biographical” works. There’s Robert
Nye’s pseudo-biography entitled The Late Mr. Shakespeare in which an
actor who performed in the plays tells the life story of the playwright. Nye also wrote Mrs. Shakespeare: The Complete Works in which Anne
Hathaway writes her memoirs after her husband’s death. Writers have even imagined additional family
members. The Canadian writer, Richard B.
Wright, wrote Mr. Shakespeare’s Bastard in which the narrator is Aerlene Ward,
Shakespeare’s illegitimate daughter. Perhaps
the most unique biography is also by a Canadian, Leon Rooke; in his Shakespeare’s
Dog, it is the Bard’s pet who narrates how Anne and Will met and wed.
Many of the
plays, but especially the tragedies, have inspired a modern re-telling or a
novel featuring characters from the plays.
Here are ones with which I am familiar.
King Lear:
Fool by Christopher Moore is a spoof of
the tragedy, though characters from other plays, like the Witches from Macbeth also make an appearance.
Jane
Smiley’s A Thousand Acres re-imagines King
Lear in twentieth-century Iowa.
Hamlet:
Gertrude and Claudius by John Updike tells the story of
the queen and king of Denmark before the action of Shakespeare’s play begins.
In Dating
Hamlet: Ophelia’s Story by Lisa
Fiedler, Ophelia lives to tell what happened at Elsinore.
Falling for Hamlet by Michelle Ray is a modern
re-telling of the play from Ophelia’s perspective.
In Ophelia
by Lisa M. Klein, Ophelia focuses on the love story between her and her prince.
Something Rotten by Alan M. Gratz re-envisions Hamlet as a murder mystery set in
Appalachia.
Macbeth:
The Third Witch by Rebecca Reisert is a re-writing of
Macbeth from the perspective of one
of the three witches, a feisty teenager named Gillyflower.
Wyrd Sisters by Terry Pratchett is a parody of
the play.
Lady Macbeth by Susan Fraser King presents an account
of what the life of Lady Macbeth might have been like.
Lady Macbeth’s
Daughter by
Lisa M. Klein is the story of Albia, a daughter born to the king and queen but
thrown to the wolves for having a deformed leg.
In Lady
Macbeth: On the Couch by Alma H.
Bond, Lady Macbeth tells her story of what led her to push her husband to commit
regicide.
Othello:
Iago by David Snodin tells the story of
the villain after he escapes to Venice after the deaths of Othello and
Desdemona.
In I,
Iago by Nicole Galland, the villain tells his life story and explains how
and why he changed from the honest and loyal friend to the master manipulator
found in the play.
Romeo and Juliet:
In Juliet’s
Nurse by Lois Leveen, Angelica, Juliet’s nurse, tells her life story,
especially her years in the employ of the Cappelletti family until Juliet’s
death.
Suzanne
Selfors, in Saving Juliet, inserts an angst-ridden seventeen-year-old
Manhattan actress into Shakespeare's star-crossed romance.
Romeo’s Ex: Rosaline’s Story by Lisa Fiedler has Rosaline and
Benvolio falling in love after Romeo rejects her in favour of Juliet.
Still Star-Crossed by Melinda Taub has an unwilling
pair, Rosaline and Benvolio, being forced to marry by Prince Escalus as a way
to end the Capulet/Montague feud.
The Tempest:
Prospero’s Daughter by Elizabeth Nunez is a retelling
of The Tempest set in Trinidad in the
early 1960s during the height of tensions between the native population and
British colonists.
Ariel by Grace Tiffany is really a prequel to the
play; Ariel gives background as to how the characters in the play get to the
point where readers find them in the play.
Twelfth Night:
The Madness of Love by Katherine Davies recasts the play as a romantic comedy
of contemporary manners.
Henry IV
Falstaff by Robert Nye has the comic figure dictating
his memoirs and reliving the events in Henry
IV, Parts I and II.
Sonnets:
Dark Aemilia: A Novel of Shakespeare’s Dark
Lady by Sally
O’Reilly is narrated by Shakespeare’s lover and sonnet-inspiring muse.
My favourite retelling of all is Twisted Tales from Shakespeare by Richard
Willard Armour published in 1957 – a comic rendering of Shakespeare’s plays.
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