3 Stars
Twenty years earlier, Olivia Reed fled Ocean
Vista and her bipolar, psychic mother Myla.
Now she revisits with her teenaged daughter Carrie and her nine-year-old
son Daniel. The latter, like Olivia,
struggles with bipolar disorder. Daniel
disappears and while they search for him, Olivia thinks about her past life on
the Jersey Shore. Her memories focus on
1987 when she gained some dangerous new friends and uncovered family secrets
about her twin sisters who were stillborn in 1971 but lived forever as babies
in Myla’s fantasy world.
The novel examines mental illness, specifically
bipolar disorder. Several family members
(Myla, Olivia, Daniel, Myla’s paternal grandfather) suffer with the disorder to
some extent. Treatments have varied over
time but the author suggests that the “cure” may sometimes be worse than the
illness. Olivia comments, “What if all
the transcendent moments of your life, the sound-track moments, the radiant
detail, the gleaming thing at the center of life that loves you, that loves
beauty – God or whatever you call it – what if all this were part of your
illness? Would you seek treatment? I have, and sometimes I wonder if the
greatest passions are just out of my reach.
And sometimes I am so grateful” (268 – 269).
A problem I had with the book is Olivia. I found it difficult to like her; she seems
to be emotionally detached so it is difficult to feel any attachment to
her. For example, her reaction to her
son’s going missing seems understated.
And she does illogical things.
For instance, when searching for her son, she decides to check out the
Emerald Hotel because “The building calls out sadly, it invites me,” though she
recognizes the choice to go there is “a strange decision” (44). She eventually admits that she should have
called the police immediately: “One
count of aggravated carelessness. One
count of poor mothering” (106). Finding
her son seems to take second place to her introspective journey.
I know little about bipolar disorder. Is sexual promiscuity a symptom of bipolar
disorder? Certainly Myla’s indiscretions
and Olivia’s marital infidelities imply this.
Do those struggling with bipolar disorder tend to be selfish? Again, Myla and Olivia seem to put their
needs/desires before those of their children.
I will have to do some research.
I also had some difficulty accepting Olivia’s
great rebellion. Though her upbringing
was unconventional, she was very close to Myla:
“I measured each girl in my class against my mother and found none of
them worth my time. . . . At three-twenty, I would flee the dull prison of the
school day and pedal hard for home, where my mother waited with quiche hot from
the oven and our evening’s adventure planned . . . [but then] the things I used
to love [became] unbearable” (15). The
book jacket describes Olivia’s “sudden, full-throttle adolescence” and
“rebellion so intense”; it is the suddenness and intensity that seem
implausible. I can understand a teenage
wanting to have friends and to have a more normal life, but Olivia’s change is
just too abrupt.
Myla is equally annoying. It is obvious that she loves Olivia and wants
to protect her from the world, but why doesn’t she ever try honesty? Surely when her illness is under control, she
can think rationally and see that she must tell her daughter the truth instead
of just leaving her child alone for days and weeks.
A character suggests that Myla should be taking
lithium, a mood stabilizer. Olivia
defends her mother’s choice not to take it:
“If a pill would make her better, it would also make her someone
else. That idea rankles: She could have been steady all through my
childhood – no disappearances, no spinouts, no weeks passed out on the sofa –
and she chose to be otherwise. She was
selfish, though she would never see it that way. But how much do we really choose these
things? I think. How can I blame her for
her gift of sight?” (225). So Myla’s psychic abilities are the gift of
untreated bipolar disorder? Does that
mean Olivia will hereafter refuse medication to her son who also has “his illness
and his gifts” (275)?
And then there’s Christie who always “says
nothing but grits her teeth . . . This is how her sister is. She only has one sister (249). (The former grammar teacher in me won’t let
me not point out that “only” in this last sentence is a misplaced
modifier. The sentence should read, “She
has only one sister,” not “She only has.”)
Carrie’s attitude towards her brother is understandable; she loves him
though she resents him. But the extent
of Christie’s forgiveness and understanding is difficult to accept.
The plot is very predictable so there is little
suspense. Would any astute reader doubt
that Daniel will be found? Events are so
carefully structured, one can see the writer’s plot outline; for instance,
Daniel’s conversation on the beach with a stranger who invites him for a boat
ride is clearly intended to suggest danger of kidnapping. The “strange decision” to visit the Emerald
Hotel is just an excuse for a 60-page flashback.
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