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Friday, November 2, 2018

Review of AN OCEAN OF MINUTES by Thea Lim

3.5 Stars
I chose to read this novel because it appeared on the 2018 Giller Prize shortlist and the brief plot outline intrigued me.

In 1981, the southern U.S. is hit by a deadly pandemic.  Polly Nader’s fiancé Frank contracts the disease so Polly agrees to travel to the future.  A company named TimeRaiser will give Frank the life-saving medicine developed in the future if Polly agrees to travel to 1993 and work for 32 months helping to rebuild a country devastated by the plague.  Frank and Polly agree to meet twelve years in the future and resume their lives.  Polly, however, ends up in 1998.  Frank does not meet her at the pre-arranged location on any of the agreed-upon days and she is unable to get information as to his whereabouts.  Is he still alive and, if he is, does he still love her?

The novel examines love’s ability to survive through time.  For Polly no time has passed when she arrives in 1998, but for Frank, if he has survived, 17 years have passed.  Being reunited with Frank becomes Polly’s hope through difficult times:  “From a completely objective standpoint, the odds [of Frank waiting for her] were poor.  But in that secret, covered place, between breastbone and sinew and pumping ventricle, Polly always knew he was coming” (119) because “All that love.  It can’t die.  It has to go somewhere” (178).  As time passes, however, she experiences periods of doubt:  “Polly was not sure of anything.  [She wonders if] love could neatly and unremarkably stop” though that thought “was more impossible and terrible than travelling through all of time” (185).  She takes solace by reminding herself of what she had once been told:  “No matter what happens, the past has a permanence.  The past is safe” (235).  Her mantra becomes, “Once something’s been done, it can’t be undone” (260) because Frank once told her, “Polly I can’t unlove you” (265). 

The author’s answer to the question of love’s durability through time may not satisfy everyone but I found the ending totally realistic.  Throughout the novel, there are flashbacks which show the development of the relationship between Polly and Frank so what happens at the end strikes me as exactly the way such a relationship would unfold, given the circumstances.    

The book is more than a love story.  It examines migration and displacement, issues very pertinent to our time with its widespread refugee crisis.  When Polly arrives in the future, she is a refugee from the past trying to navigate an unrecognizable world.  She has little status, few rights, and no money.  She is an indentured servant who has to work off her debt, but because she has to pay for almost everything, her debt to TimeRaiser keeps growing.  Working and living conditions are poor, and these only worsen for Polly when she is demoted from skilled worker to manual labourer.  To access information, journeymen like her face endless bureaucracy. 

The novel also sheds light on the economic divide and the disconnect between rich and poor.  Because of the plague, the U.S. becomes two countries, America in the south and the United States in the north.  The north is prosperous but the south was devastated by the pandemic and is trying to recover.  Polly is told that America is “’creating a vacation belt . . . attracting hundreds of vacationers . . . We have . . . a stream of cheap and willing workers . . . We have workers to build resorts, and workers to work in them’” (56-57).  I could not help but think of Mexico, especially when many of the workers Polly encounters speak Spanish. 

The movement of journeymen is curtailed; they cannot leave without permission.  Polly has a surreal experience when she goes on a walk looking for Frank.  She is arrested by Customs and Border Protection and questioned by an ICE agent:  “’Why did you charge our wall’” (97)?  And even with documentation to travel, people from the south going north must endure medical screening and “the threatening looks of the passport officials” (267). 

When Polly first arrives in the future, she joins hundreds of other workers pedaling on stationary bicycles; she is told, “’The air conditioning runs on clean energy, from pedal power, powered by people like you.  You get exercise and healthy living, the vacationers get lights and A/C’” (48).  Meanwhile, those cyclists live in shipping containers.  A journeyman may harvest “swamp cabbage, wading out in coagulated waters as snakes writhed around her knees” but “Up north, they bought the greens in capsules, two dollars a pill, as an immune-system booster” (182). 

Though it has insights, the book is not without its flaws.  Polly is dull and emotionless and makes some stupid decisions so it is difficult to connect with her.  The book becomes tedious at times when nothing happens.  I don’t think it will win the Giller Prize, but I have yet to read the other nominees - and I have been wrong in the past.

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