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Friday, April 17, 2020

Review of PRETTY THINGS by Janelle Brown (New Release)

3.5 Stars
Nina and her boyfriend Lachlan are scammers stealing from the wealthy in Los Angeles.  When it becomes necessary for Nina to leave the city, she and Lachlan travel to Lake Tahoe.  Their mark is Vanessa Liebling, an heiress and Instagram influencer who has retreated to her family estate, Stonehaven.  Nina had encountered members of the Liebling family in the past and is now looking not just for money but for revenge.  Nina and Lachlan insert themselves into Vanessa’s life, but things do not proceed as planned.

The book begins slowly with the focus on character development.  The perspective of both Nina and Vanessa is given with several flashbacks providing detailed backstories.  As a result, the reader comes to know each of the women very well.  Both prove to be complex people with both positive traits and flaws.  The reader will find him/herself liking and disliking both of them at different times and thinking each is both a victim and a villain.  Because their pasts are explained, it is possible to understand their behaviour in the present. 

Both of the women are dynamic.  They learn about themselves and others.  One of the women, for instance, rails against her circumstances and the behaviour of others but eventually feels shame:  “Shame that I did not do more with what I did have, and shame that I pretended that the road I’d taken was the only option I had.  Because it wasn’t.  I chose that road.  I made it mine.  And if this is where it took me, it’s my own fault.”

In the second half, after the action and pace pick up, there are a number of plot twists.  Most are believable given the people involved.  It soon becomes clear that people are not what they seem, both in real life and on social media.  Suspense is created because no one can be fully trusted. 

The novel is a commentary on the shallowness of social media.  Vanessa thinks about the importance of appearing authentic while carefully showing only the positive:  “The ability to convincingly perform authenticity is perhaps the most necessary skill set for my generation.  And the image you exude must be compelling, it must be brand-positive, it must be cohesive no matter how fractured your internal dialog might be.”  There are comments like “social media feeds the narcissistic monster that lives within us all” and “the Internet has turned us all into armchair critics, experts at the cold dissection of gesture and syllable, sneering self-righteously from the safety of our screens.  There, we can feel good about ourselves, validated that our flaws aren’t as bad as theirs, unchallenged in our superiority.  Moral high ground is a pleasant place to perch, even if the view turns out to be rather limited in scope.”  Because of social media, “People don’t take the time to really look at each other anymore.  We live in a world of surface imagery, skimming past each other, registering just enough to assign a category and label before moving on to the next shiny thing.”

A comparison is made between grifters and people like Vanessa who curate their lives on social media; Vanessa is called a queen of duplicity and told, “’Your career has been all about spinning lies.  Putting up a pretty façade for public consumption when you’re a mess underneath.  Selling a life that doesn’t really exist. . . . You’ve been profiting off a mythical version of yourself, promoting unachievable aspiration, giving your half-million followers insecurity complexes and dooming them to a lifetime of FOMO therapy.  You’re a huckster.’” 

Though the book starts slowly and is somewhat repetitive (because of overlap when the same event is shown from different perspectives), readers who persist will be rewarded.   Will you be able to find the truth in the tangled web of lies?

Note:  I received a digital galley from the publisher via NetGalley.  This book will be released on April 21.

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