2.5 Stars
This novel with its meandering plot touches on a number of issues; unfortunately, it feels unfocused and scattered.
It is set in post-pandemic Northampton, Massachusetts. Forty-four-year-old Eve, having moved back with her two children, meets her childhood friend Demeter. Lonely and bored, Eve is so happy to reconnect. Quickly she becomes dedicated to helping Demeter whose daughter Persephone is suffering from sudden, unexplainable photosensitivity. This condition means she avoids the outdoors and even rooms with lighting. Others in the community are also afflicted. Some label the condition as post-pandemic syndrome while others suspect a tick bite might be the cause.
Eve is joined by others on the hunt for a cure. There’s Ruth, the local librarian; Stephen, whose son suffers with the condition; and Will, a young man hoping to make amends for past mistakes. They learn about a plant that might provide relief so they set out to find it, though the spring ephemeral may very well be extinct. Eve becomes so obsessed that she keeps secrets from her husband, neglects her children, and even quarrels with Demeter.
I found it difficult to determine the purpose of the book. It touches on many topics, including motherhood, friendship, and climate change. It is marketed as a book about love of many kinds and it does indeed show varieties of love: parental love for children; romantic love in heterosexual, homosexual and bisexual relationships; love between friends; and love for nature and the planet. The problem is that each relationship is described in detail. For instance, we learn about Ruth, Stephen and Will’s past loves so we are introduced to many secondary characters like Jeremiah, Quinn, Arielle, Ritu, Jessie, Ramona, and Antonia. Ruth and Stephen were even married to the same woman.
One main message is that we are destroying our planet. One chapter, narrated by a tick, explains how ticks nearly disappeared but came back because of human behaviour. There is repeated reference to the effects of a warming climate; warming winters, wet springs, trees leafing early, and invasive species moving in. Of course, human relationships with nature have changed over time as well: “We largely ignored the plants when we had them, but so much depended upon them. We were living with a flat-out miracle, this green earth a wonderment.” There’s even the suggestion that the photosensitivity is a sickness “as response to a sick world.”
It is difficult to connect with the characters because there are so many of them. Besides the ones already mentioned, there are many others that make an appearance: Lev and Sonya, Eve’s children; Henry James, Eve’s husband; Joan Yalen, Eve’s mother; Kiran, Stephen’s son; Claudine, Jeremiah’s niece; Ellen, Ruth’s friend; as well as other characters named Pax, Ishmael, Aengus, Corin, Indigo, and Lenore and Clement Folkenflick. Then there are the characters given more than one name: Pan/DJ, Orian/Ryan; Ellen/Ellis, and Claude/Claudine. Many of the characters come complete with a back story, though many of those prove to be largely irrelevant.
Eve, a main character, is difficult to like. She lets her husband do as he wants so child care falls solely to her while he commutes from New York only on weekends. She wants to be “crowned queen of mothers” yet virtually abandons her children at times in favour of Demeter and her daughter. She often behaves immaturely; I found myself comparing her flirting with Will to Persephone’s behaviour with DJ.
The book lacks focus because of too many tangents. The pace is slow so there’s little tension and nothing much happens for the longest time. The overly large cast of characters is sometimes just confusing. The novel needs some editing since it is unnecessarily lengthy (over 400 pages). I did not enjoy it but others with more patience might want to give it a try.
Note: I received an eARC from the publisher via NetGalley.
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