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Friday, June 26, 2026

Review of THE THURSDAY MURDER CLUB by Richard Osman

 3.5 Stars

I’m a latecomer to this cozy mystery series which has had many rave reviews.

The novel is set at Coopers Chase, a British retirement village. Four residents (Elizabeth, Ron, Joyce, and Ibrahim) meet to discuss unsolved cases but become involved in investigating an actual murder, that of a property developer. And then there’s a second murder.

It is the characterization of the four septuagenarians that stands out. Each is well-developed and differentiated. They bring diverse skills to the group. Elizabeth Best is the ring leader as befits her past life as some sort of spy; she is clever and cunning, able to slyly manipulate people to her wishes, and she has a large network of useful resources. Ron was a union activist and he tends to be argumentative.  Ibrahim, a retired psychiatrist, is the calming influence; Ron’s foil, Ibrahim is quiet and restrained. Joyce, a former nurse, is a bit of a chatterbox who is always seeking male companionship, but her diary entries show that people underestimate her intelligence.

The club members charm PC Donna De Freitas and her boss, DCI Chris Hudson, into becoming police sources. I liked both characters but had to suspend disbelief with their part of the plot. There’s no way that the police would share their findings as they do. And the group always tends to be one step ahead of the police?!

The book mentions some of the challenges of growing old, such as mortality, grief, isolation, and illness, but never in a heavy-handed manner. There is considerable gentle humour: witty banter among cheeky and eccentric characters abounds. Humour also arises from contrast: sharp, intelligent seniors use their apparent frailty to manipulate, deceive, and gain information, and are able to do so because people tend to underestimate them.

There are a lot of red herrings which are central to the plot’s complexity. More than once, someone becomes a suspect with a convincing motive, but then that person proves to have a backstory with an unrelated secret. Characters and objects are often just distractions, all to keep the quartet and the reader guessing. I must admit to not liking the preponderance of suicides and assisted deaths.

A central theme is that of friendship. The four club members have a deep bond. They care for and unwaveringly support each other. The motive for one killing is in fact revenge for a friend’s death. And one friend helps another escape suspicion. Love is also another theme. The love of parents for children (Joyce and Joanna, and Ron and Jason) is obvious. But there are also several examples of long-time devotion in various relationships/marriages: Elizabeth and Stephen; Penny and John; Bernard and Asima; and Matthew and Margaret. Moments between these partners are often the most tender-hearted.

The book is charming and entertaining; I don’t think it’s intended to be taken too seriously. I will probably continue the series (of which there are currently five books with a sixth due this fall) as an occasional break from heavier, more serious reads. Actually, audio versions will probably become companions on my walks.

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