Earlier
this week Richard Wagamese was awarded the Matt Cohen Award which “recognizes a
lifetime of distinguished work by a Canadian writer, working in either poetry
or prose in either French or English”.
In awarding the $20,000 prize to Wagamese, the Selection Committee
stated, “Over a career spanning more than 30 years and numerous honours,
Richard Wagamese has become a vital voice in Canadian letters” (http://www.writerstrust.com/Awards/Matt-Cohen-Award--In-Celebration-of-a-Writing-Life.aspx).
Here’s my
review of Wagamese’s novel Indian Horse
which I read back in July of 2013.
The
narrator of this novel is Saul Indian Horse, a First Nations former hockey star
undergoing treatment for alcoholism. In rehab he is encouraged to tell his
story as a form of healing and so he writes what amounts to his autobiography.
Saul is an
Ojibway from northern Ontario; at the age of eight, in the early 1960s, he is
placed in a government-sanctioned, church-run residential school where “There
were no grades or examinations. The only test was our ability to endure.”
There, like so many Native children, he experiences and/or witnesses beatings,
rapes, and countless humiliations. He describes life at the school, the place
which “took all the light from my world,” as hell on earth: “When your
innocence is stripped from you, when your people are denigrated, when the
family you came from is denounced and your tribal ways and rituals, are
pronounced backward, primitive, savage, you come to see yourself as less than
human. That is hell on earth, that sense of unworthiness. That’s what they inflicted
on us.”
What saves
Saul is the game of hockey introduced to him by a young priest, a game for
which Saul proves to have an almost preternatural understanding. His natural
talent and determination to perfect his skills make a career in the sport a
possibility, but as his opportunities increase so does the racism he faces.
I know a
bit about the abuse faced by children who were forcibly removed from their
families and suffered physical, sexual, and emotional abuse in residential
schools, but this is the first novel I have read written from the perspective
of a survivor. It is the details of the abuse that are shocking, but it is
their very specificity that adds credibility to this work of fiction. The
author’s emotionally restrained style in which he avoids gratuitous details and
an accusatory tone - and even remains polite - ensures that the reader cannot
dismiss the novel as a bitter diatribe which exaggerates for the sake of
effect.
It is clear
who bears responsibility for the abuse and its consequences for future
generations, but Saul is also given some advice about healing: “’They scooped
out our insides, Saul. We’re not responsible for that. We’re not responsible
for what happened to us. None of us are. . . . But our healing – that’s up to us.
That’s what saved me. Knowing it was my game.’”
The one
part of the book I did not enjoy is the descriptions of the many hockey games.
I am not a fan of hockey (a blasphemous admission for a Canadian) and know
little about it and so found my eyes glazing over in the sections detailing
technicalities of the sport. It is not necessary to become tediously repetitive
to make it obvious that hockey provides an escape Saul and that he is an
exceptionally talented player. I will admit, however, that the use of Canada’s
national game as a metaphor for Saul’s plight (and that of other aboriginal
youth) is genius: a young man has the talent and work ethic to strive for the
dream of Canadian youth – a shot at the National Hockey League – but the dream
may be unattainable because of systemic racism.
Stories are
an integral part of Saul’s culture. One man tells Saul, “’Ojibways are the best
storytellers I know’” although Saul thinks that his people have “stepped beyond
the influence of our legends. That was a border my generation crossed, and we
pine for a return.” But in rehab Saul is told that it is necessary for him to
know and understand his story in order to heal his broken spirit. Likewise, it
is necessary for all of us to know and understand our hiSTORY.
I’m starting
a list of should-read novels for all Canadians; in the First Nations category,
I have thus far included Three Day Road
by Joseph Boyden and Incidents in the
Life of Markus Paul by David Adams Richards. Indian Horse now joins the list. It forces us to face the shameful
part of our history in which it was not the victims of residential schools that
were the savages.
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