The
shortlist for the Rogers Writers’ Trust Fiction Prize (celebrating its 20th
year) was announced today:
After James by Michael Helm
A
neuroscientist retreats to a secluded cabin in the woods, intending to blow the
whistle on a pharmaceutical company and its creativity drug gone wrong. A failed poet is lured to Rome as a
"literary detective" to decode the work of a mysterious Internet poet
who seems to write about murders with precise knowledge of private details. On the heels of a life crisis, a virologist
discovers her identity has been stolen by a conceptual artist in whose work
someone always goes missing. After James is told in three connected
parts, each gesturing toward a type of genre fiction -- the gothic horror, the
detective novel, and the apocalyptic. As
the novel unfolds in great cities, remote regions, and deadly borderlands, it
weaves connections both explicit and subtle.
The Parcel by Anosh Irani
The novel’s
narrator is Madhu--born a boy, but a eunuch by choice--who has spent most of
her life in a close-knit clan of transgender sex workers in Kamathipura, the
notorious red-light district of Bombay. Madhu identifies herself as a
"hijra"--a person belonging to the third sex, neither here nor there,
man nor woman. Now, at 40, she has moved
away from prostitution, her trade since her teens, and is forced to beg to
support the charismatic head of the hijra clan, Gurumai. One day Madhu receives a call from Padma
Madam, the most feared brothel owner in the district: a "parcel" has
arrived--a young girl from the provinces, betrayed and trafficked by her
aunt--and Madhu must prepare it for its fate. Despite Madhu's reluctance, she is forced to
take the job by Gurumai. As Madhu's
emotions spiral out of control, her past comes back to haunt her, threatening
to unravel a lifetime's work and identity.
Willem de Kooning’s Paintbrush by Kerry Lee Powell (This short story collection also appears on
the longlist for the Scotiabank Giller Prize)
These
stories range from an island holiday gone wrong to a dive bar on the upswing to
a yuppie mother in a pricey subdivision seeing her worst fears come true and are
populated by barkeeps, good men down on their luck, rebellious teens, lonely
immigrants, dreamers and realists, fools and quiet heroes. Powell explores themes of belonging, the
simmering potential for violence and the meaning of art no matter where it is
found.
Mysterious Fragrance of the Yellow Mountains by Yasuko Thanh
Vietnam is
a haunted country, and Dr. Nguyen Georges-Minh is a haunted man. In 1908, the French rule Saigon, but uneasily;
dissent whispers through the corridors of the city. Each day, more Vietnamese
rebels are paraded through the streets towards the blade of the guillotine, now
a permanent fixture in the main square and a gruesome warning to those who
would attempt to challenge colonial rule.
It is a warning that Georges-Minh will not heed. A Vietnamese national and Paris-educated
physician, he is obsessed by guilt over his material wealth and nurses a secret
loathing for the French connections that have made him rich, even as they have
torn his beloved country apart. With a
close-knit group of his friends calling themselves the Mysterious Fragrance of
the Yellow Mountains, Georges-Minh plots revenge on the French for the savagery
they have shown to the Vietnamese. And
it falls to Georges-Minh to create a poison to mix into the Christmas dinner of
a garrison of French soldiers. It is an act that will send an unmistakable
message to the French: Get out of Vietnam.
But the assassination attempt goes horribly wrong. Forced to flee into the deep jungles of the
outer provinces, Georges-Minh must care for his infant son, manage the growing
madness of his wife, and elude capture by the hill tribes and the small--but
lethal--pockets of French sympathizers.
The Break by Katherena Vermette
When
Stella, a young Métis mother, looks out her window one evening and spots
someone in trouble on the Break ― a barren field on an isolated strip of land
outside her house ― she calls the police to alert them to a possible crime. In a series of shifting narratives, people
who are connected, both directly and indirectly, with the victim ― police,
family, and friends ― tell their personal stories leading up to that fateful
night. Lou, a social worker, grapples
with the departure of her live-in boyfriend. Cheryl, an artist, mourns the premature death
of her sister Rain. Paulina, a single
mother, struggles to trust her new partner. Phoenix, a homeless teenager, is released from
a youth detention centre. Officer Scott,
a Métis policeman, feels caught between two worlds as he patrols the city.
Through their various perspectives a larger, more comprehensive story about
lives of the residents in Winnipeg’s North End is exposed.
The Rogers
Writers’ Trust Fiction Prize, sponsored by Rogers Communications Inc., recognizes Canadian writers for the year’s
best novel or short-story collection as selected by a three-member, independent
judging panel. The winner, who will be announced on Nov. 2, will receive
$25,000.
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