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Friday, August 3, 2018

Review of MANHATTAN BEACH by Jennifer Egan

3.5 Stars 
I opted to read this book because it kept appearing on the lists for various literary awards; for example, it was nominated for the 2017 National Book Award for Fiction and longlisted for the 2018 Women’s Prize for Fiction.  It also won the 2018 Andrew Carnegie Medal for Fiction.  I was also interested in the author who received the Pulitzer Prize for Fiction for a previous novel, A Visit from the Goon Squad.

Most of the action takes place in Brooklyn during the years of the Depression and World War II.  The novel opens in 1934 in a home on Manhattan Beach where Anna Kerrigan, her father Eddie, and a man named Dexter Styles are brought together.  The action then switches to 1942 when Anna is 19 and working in the Brooklyn Naval Yard helping to support her mother Agnes and her severely disabled sister Lydia because Eddie vanished from their lives five years earlier.  Anna encounters Dexter, who turns out to be a syndicate boss, and sets out to determine what he knows about her father’s mysterious disappearance.

The story is narrated from the perspectives of Anna, Eddie and Dexter whose lives become intertwined in unexpected ways.  Each of these three becomes well-known to the reader; we learn about their obstacles, internal conflicts, strengths, and flaws.  For me it is Anna who emerges as most interesting.  She is highly spirited and fiercely independent.  She has an unstinting love for her sister and a relentless ambition to become a diver.  People think of her as “a good girl; a smiling, innocent girl” but “she was not good in the way they thought.”  She has a passionate side which she keeps concealed from virtually everyone.  

Anna keeps many secrets.  For instance, she hides her identity from Dexter and keeps a huge secret from her mother.  The others also have secrets:  Dexter has both professional and personal affairs which he wants to remain hidden.  Eddie tells his family nothing about the real nature of his work.  And then there are the secrets of secondary characters; the reader is not always privy to them.  The one that intrigues me is whether Harriet knew what fate awaited her husband.

The ocean is a recurring symbol.  For both Anna and Dexter, it provides solace and escape.  From the beginning, Anna is drawn to the sea; during her visit to Manhattan Beach, she insists on dipping her feet into the icy water:  “Each foot delivered an agony of sensation to her heart, one part of which was a flame of ache that felt unexpectedly pleasant.”  Anna makes it a personal goal to bring Lydia to the sea.  Dexter is endlessly fascinated by the sea, claiming it “was never the same on any two days, not if you really looked.”  Eddie initially thinks of the ocean as “a wasteland” but comes to see it as “an infinite hypnotic expanse” which also brings him both peace and escape.  Water is traditionally a symbol of renewal and new life.  Manhattan was the gateway to new lives for the many immigrants who came ashore there, and the ocean certainly brings Anna and Eddie new lives.  Of course, Anna’s new life is also helped by the war, an event which allowed the breaking down of gender barriers so she can become a pioneering diver helping the war effort by performing underwater repairs to ships. 

Though Anna is very much a sensualist, I struggled with her relationship with Dexter.  She suspects that he has information about what happened to her father, but she has such an intimate relationship with him?  When he takes her to a specific location, surely she would understand that he might have a deeper involvement than she initially suspected?  Yet she still makes the decision she does at Dr. Soffit’s office?  (Interestingly, her choice of the name Leon, thereby evoking her first sexual encounter, could be interpreted as emphasizing her sensualism.)

There are other flaws which deserve mention.  The unsanctioned diving scene requires some suspension of disbelief.  Eddie speaks of the ocean as a place full of “dead bodies” so could someone be taken to the exact location of one of those bodies?  Characters also disappear at convenient times.  One character, for instance, is conveniently and simply removed twice when her presence would hinder plot development.  Sometimes minor characters steal the show and demand more attention; the bosun is someone I’d loved to have learned more about.  

This book is difficult to classify.  It is an adventure tale, a coming-of-age story, a mystery, and a historical novel all in one.  Despite its weaknesses, it has inspired me to seek out the author’s previous works.

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