4 Stars
Having read virtually all of Hay's previous fiction, I rushed to the bookstore on the
release date of this, her latest book.
It did not disappoint.
Covering a
period of about five years, the novel is set in the mid-1990s, around the time
of the Quebec referendum. The
protagonist is Jim Bobak who is 10 years old at the beginning. He lives in Manhattan, where his American
father George feels most at home, but spends summers in the Ottawa Valley
cottage country where his Canadian mother Nancy is most comfortable.
This is not
a plot-driven novel. The major events
are those encountered by most families some time in their lives: illness, happy times, rivalries, disputes,
reconciliations. Familial relationships
evolve. The feelings and motivations of
the characters are those experienced by everyone: guilt and regret because of past actions,
frustration with oneself and others, the need to be loved, the desire for
forgiveness, conflicts between loyalties.
Conflicting
choices serve as the framework of the novel:
Quebec, “a place torn between staying and leaving, and therefore always
dissatisfied” (226), must choose between sovereignty and unity; Nancy must
choose living in Canada or living in the U.S.; Jim is torn between rural life
and urban living; Nancy must decide whether to stay with George or to leave
him; Lulu, Nancy’s best friend, and George must both choose between reconciling
with a brother or continuing the estrangements.
The observations
about family I found interesting. The
relationship between a parent and a grown child: “Fragility itself, the construction of
camaraderie between a parent and child after the child leaves home. Blown down by the least rebuff” (20). And the pain of family estrangement: “the old family loneliness – that
immeasurable desolation – and looking for some way in” (136). Who wouldn’t
agree with this comment: “How strange
and unknowable families were. Relatives
could be so savage with one another and so caring at the same time” (345)? So why do we love our family members? Maybe “People love others not because they
are lovable necessarily but because it takes such a weight off the heart”
(308).
Forgiveness
in families is also touched on. Nancy quotes
an Alice Munro story: “’”Forgiveness in families is a mystery to me, how it
comes or how it lasts”’” (47). She makes
the observation that apologies may take different forms: “’In the way he accepted your affection, he
was saying he was sorry’” (234). Keeping
faithful to the framework of the novel, the author even studies the dual nature
of forgiveness: Nancy questions whether
forgiveness is “in some terrible, overeager way a lack of curiosity. It was a big, powerful hose that washed
everything away. . . . Forgiveness was the premature end to the story. She had skipped to the last page instead of
reading the book through” (82). Or is
forgiveness “a kind of movement in one’s chest that made it easier to breathe”
(350)?
The novel
examines how people make choices. It can
be difficult to make choices because of divided loyalties. Nancy even says to George, “’you can be loyal
to what disappoints you. . . . Who’s to say we can’t have many loves and many
identities? We can hold more in our
hearts than we think’” (193 – 194). And
the novel also examines how people can move forward after they’ve made poor
choices. Jim begins this theme by asking
his parents, “’What’s the worst thing you’ve ever done?’” (3) on the opening
page. Nancy understands that her son is
asking what to do after doing something bad, though he chooses not to tell her
what he did. Nancy also understands that
decisions made with the best of intentions may turn out to be horribly
wrong: “But what was admirable in the
moment became inexcusably self-serving in hindsight. It must happen to others, she thought. You think you’re doing something brave. Only later does it seem so baldly wrong that
it’s hard to understand what you were thinking at the time” (286). The answer
seems to be “’Don’t rush’” (276) when making decisions, but it’s never too late
to correct a bad choice (206). Most
importantly, we should remember, “’Doing something terrible doesn’t define you
for the rest of your life’” (300).
The
characterization of Jim is wonderful. He
is sensitive, intelligent, observant, and curious. He thinks about his own behaviour: “Jim knew he had the same effect on people
sometimes, trying too hard and not knowing how to quit” (90). He wants to learn how to live: how to defend himself without being nasty
(81). In this regard, the best advice he
receives is, “’Be firm but don’t yank’” (236), just like when walking a dog on
a leash. It is often Jim’s comments
about the behaviour of adults which are most perceptive; for example, George
makes a particularly nasty comment about Lulu in Jim’s hearing though shortly
after he complains that Jim does not respect him. Jim thinks, “he respected [George] enough to believe
he meant what he said, and if he meant what he said, then how could he respect
him? A father who wants to be admired
should think these things through” (292).
This is a
book for readers who are willing, like Jim is advised, to be patient and not to
rush. It resonates with issues about
life and its complicated, conflicted, and confused relationships. It is definitely worth reading and probably
more than just once.
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