Cassie
Bowden, an American flight attendant who regularly binge drinks and hooks up
with random men, wakes up one morning in a Dubai hotel room next to a dead man,
Alex Sokolov. She decides not to notify
the authorities for fear of being accused of his murder and flees to the United
States. Of course, evidence emerges
showing her in the man’s company during her layover and the F.B.I. becomes
interested in her connection with Alex.
Cassie suspects that a woman named Miranda who visited Alex the night
before his death may be responsible.
The book is
narrated primarily from Cassie’s perspective, but there are short chapters
showing the point of view of Elena, a female assassin. Cassie’s narrative becomes repetitive: she speaks to her lawyer, she is questioned
by the F.B.I., she works an international flight, she gets drunk, she does
something stupid, she speaks to her lawyer, etc. Her thoughts are also repetitive: constant guilt about her drinking and sexual
liaisons. Do we have to read at least
seven times that Alex gently washed her hair?
It is very
difficult to connect with the protagonist.
She is prone to self-pity, and her constant whining about things that
happened in her childhood becomes so annoying.
The ice-cream her mother bought for Cassie’s 11th birthday melted
because of the behaviour of her drunken father?
Twenty years later, wouldn’t she have recovered from this event? She admits that she is a pathological liar: “’I’m a very, very good liar. I lie all the time. I lie to other people, I lie to myself.’” She steals from hotel rooms: “She did it because it was, like so much else
that made her happy, dangerous and self-destructive and just a little bit sick.” She is an alcoholic who drinks so much that
she embarrasses herself and others and even suffers blackouts, yet she makes
virtually no attempt to change. Even
after the events in Dubai, she continues to behave irresponsibly, to drink and
pick up men for sexual encounters. Her
lawyer tells her, “’Someday you’ll hit bottom . . . For most people, that would
have been Dubai. Not you, apparently.’” That lawyer also tells her, “’Just, please,
act like a grown-up,’” and I think that reference to Cassie’s immaturity
summarizes her character. She seems to
have no redeeming qualities, though I get the impression that her volunteering
at a cat shelter is intended to earn her some sympathy from readers.
There are
some things that are just not plausible.
Cassie has been able to keep her job despite her drinking even though American
flight attendants are subject to random tests for both drugs and alcohol? Most
hotels now have security cameras in hallways, but the one in Dubai doesn’t? Most spies eventually become double
agents? How exactly does Elena track the
person she is following? There’s an app
for that? And don’t get me started on
the improbable twists in the epilogue.
Given her reputation for instability, it is highly unlikely that Cassie would
be asked to do what she does.
Cassie is
an alcoholic who “convinced herself that she wasn’t her father’s daughter and
she wasn’t repeating his mistakes. She
wouldn’t let alcohol destroy her the way it had destroyed him. And for over a decade and a half – until Dubai
– on some level she had even believed that.”
She blames her father’s drinking for ruining her childhood, yet she
becomes a drunk? Even after Dubai, her
behaviour doesn’t change. The reader may
accept that alcoholism is an inherited disease.
But then, one consequence of her past behaviour, an unlikely one at
that, allows her to overcome her addiction?
The pacing
is problematic. At the beginning, the
pace is rather slow because not much happens.
Then we have the author climb on a political soap box in Chapter
21: “For a time, the United States had shed
great crocodile tears for the people of Aleppo, but they understood that Syria –
and obviously Ukraine and Crimea – weren’t in their backyard.” I may agree with Elena who “looked at photos
of the presidents in Washington and Moscow and Damascus and thought darkly to
herself, this is where it all ends. Here.”
But these observations just seem
out of place. Then the pace seems to
speed out of control; so much happens so quickly at the end without sufficient background
explanation.
I cannot
say that the book is not entertaining, but the protagonist is too shallow and
static to earn my sympathy, and there are just too many holes in the narrative to
make it exceptional.
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